To be in one place is not to deny the existence of another, even if that other place cannot be felt or seen.
A place, upon crossing a threshold, opens/closes depending on the intention of the perceiver. A threshold [any place or point of entering or beginning] is not just an entry from light to dark but a bodily threshold, a constructed experience. But how to inhabit a threshold, a space of memory that negotiates the self.
In perception, memory plays a role. Memory as perspective-memory as a blur-a long exposure.
In the looking back the reflection finishes.completes.
A study of five precedents has been done over the wintersession period. These particular studies are of architecture that represents (to me) the understanding of the built construct as a place of transition, a place of bodily movement. To use these studies as principles for working, a point of reference to look back to,
To understand the idea of the in-between and how to inhabit that place as an architectural space. What is the difference in living between two walls or inside of the wall. To use this idea as a physical understanding as well as an investigation in the aspect of time with the present being the mediating “space” of past and future.
case studies
five
casa en brejos de azeitao, setubal, portugal
aires mateus
slow house
diller + scofidio
police box at chofu station, tokyo
kazuyo sejima & associates
bridge at bellinzona
aldo rossi
monument to the resistance at cuneo
aldo rossi
to begin an investigation
to use a constructed camera obscura to draw the perspective seen in the particular threshold space looking in the direction headed. then, to look back, to turn around and face where ia m not but once was. to draw this perspective again on the same drawing just made. this overlap, when redrawn in plan will give a new definition for my place standing, the space of in-between.
the site
to propose an architecture of the looking back