the model
Friday, May 29, 2009
Tuesday, May 19, 2009
05.15.09
in drawing the plan, the sections are drawn simultaneously and start to show the space beyond
in plan oblique, another view shows the stair form and move up and through
finding the walls
Monday, May 18, 2009
film of corridor to stair, degree project probe [compression of time]
for reference to the degree project probe video, please see first post in January, 2009
Thursday, May 7, 2009
05.07.09
paper construction of drawing.
this was the second "drawing" in three dimension.
i felt that the drawing continues throughout but sometimes on paper and sometimes out of paper.
this has been interesting due to the fact that in drawing an axonometric of the plan, one side is seen. by constructing this axon, the other side becomes visible.
this was the second "drawing" in three dimension.
i felt that the drawing continues throughout but sometimes on paper and sometimes out of paper.
this has been interesting due to the fact that in drawing an axonometric of the plan, one side is seen. by constructing this axon, the other side becomes visible.
Friday, May 1, 2009
05.01.09
oblique drawing of the relationships of the overlaps as walls with rotation of the past (looking back) to meet the diagonal of the future (looking to) at the moment of back and forth (present)
in this drawing, a representation of the idea that in the present progression, a looking back presents a new past
that is seen because of the actions that occur and the preferred memory. to look for the past yields a seeing of not what was but what is happening along side of what is now.
.
the overlaps corridor and stair.
at the place where i stood there is a gap or break in the overlaps. a blind spot.
to take the overlap in plan of corridor and intersect them at the station point and then to fold the stair overlaps
at the point where i stood gives the moments filled in red.
the overlaps in red of the new plan of the stair
the overlaps in red of the corridor
the drawing of plan of corridor and stair from the perspectives drawn from the camera obscura
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