Friday, May 29, 2009

05.16.09

the model










Tuesday, May 19, 2009

05.15.09




in drawing the plan, the sections are drawn simultaneously and start to show the space beyond








in plan oblique, another view shows the stair form and move up and through







finding the walls

Monday, May 18, 2009

film of corridor to stair, degree project probe [compression of time]








for reference to the degree project probe video, please see first post in January, 2009

Thursday, May 7, 2009

05.07.09

paper construction of drawing.
this was the second "drawing" in three dimension.
i felt that the drawing continues throughout but sometimes on paper and sometimes out of paper.
this has been interesting due to the fact that in drawing an axonometric of the plan, one side is seen. by constructing this axon, the other side becomes visible.









Friday, May 1, 2009

05.01.09



----------------------------------------------------------------------------------------------------------------

it has been a while since posting but this is a quick overview of process.

there is more after this but those are not photographed yet.



oblique drawing of the relationships of the overlaps as walls with rotation of the past (looking back) to meet the diagonal of the future (looking to) at the moment of back and forth (present)
in this drawing, a representation of the idea that in the present progression, a looking back presents a new past
that is seen because of the actions that occur and the preferred memory. to look for the past yields a seeing of not what was but what is happening along side of what is now.


.

the overlaps corridor and stair.
at the place where i stood there is a gap or break in the overlaps. a blind spot.
to take the overlap in plan of corridor and intersect them at the station point and then to fold the stair overlaps
at the point where i stood gives the moments filled in red.



the overlaps in red of the new plan of the stair




the overlaps in red of the corridor



the drawing of plan of corridor and stair from the perspectives drawn from the camera obscura